JOHN SUMMERS
FUTURE PRIMITIVE
Mark Tanner Sculpture Award Winner 2006/7Solo show of new sculpture funded by the award Exhibition open 14 September - 14 October 2007 Gallery talk Sunday 14 October 3pm |
Spirit Killer 2007
On first looking at John Summers’ sculptures
you might be bewildered, amused or even repelled by their hectic surface
noise – the glitter, the detritus, the seemingly randomly assembled
found objects. But looking deeper you see there is an order and control
as sophisticated as any traditional sculptor. The seriousness of these
playful works is in their precarious harmonies. Summers excels in the
metamorphosis of his materials - retaining the sense of flow and
becoming in the works while holding them at a point of minute
perfection.
Bachelor 2007
The immediacy of his work is arrived at by
continuous adjustment, as though a surgeon were working in
emergency/primitive conditions, improvising with materials and
instruments from a previous age. This forensic skill relates to the work
made for his MA show at the Royal College, which often resembled lumps
of prosthetic flesh. This almost Dr Frankenstein impulse has since
shifted from animating the merely human to the creation of forms
suggesting the birth of something quite unearthly.
Bustin' Bronco and Branded 2007
In certain recent works diamond and pearlised
carapaces crack open, about to spawn a second Liberace, or some other
star from the Las Vegas pantheon. There is a constant fluctuation
between the idea of undirected forces in the heavens and the deliberate
manufacture of glamour in Hollywood‘s own stellar system - created both
explosively and consciously.
Since graduating from the Slade in 1999, and
the Royal College of Art in 2002, John Summers has exhibited widely in
group shows both nationally and internationally, (including Studio 1.1,
London 2006, 2007; Hollow, London 2005; NY Armoury Fair 2004; Bloodshot
and Brighteyed, Berlin 2004, New Contemporaries 2002, 2003). His work
has generated high praise and interest, and has won him several
prestigious art awards, including the Deutsche Bank Pyramid Award. The
exhibition funded by Mark Tanner Sculpture Award, which Summers won in
July 2006, will be his first solo show, and represents an important step
in his development as one of the brightest new talents in British
sculpture.
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Starman 2007 and detail
Private Party 2007 and detail
The Mark Tanner Sculpture Award is now the largest sculpture prize of its kind in the UK.
It is unique in its combination of offering both financial support
towards the production of new work and a solo exhibition to an
exceptional emerging sculptor. Standpoint will announce the winner of
this year’s award at the private view.
Originated in 2001, The Tanner
award increased to a total of £10,000 in 2005. £6,000 goes direct to the
receiving artist towards the production of new work, and £4,000 funds
and promotes the solo exhibition held at Standpoint Gallery the
following year. The Tanner award is a partnership project by Standpoint
Gallery and the charitable trust set up in memory of the sculptor Mark
Tanner, who trained at St Martins and was one of the first artists to
show at Standpoint. He died in 1998 after a long illness.
Down on the Upside 2006
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Research from December 2012 & continuation of Walk Straight Shout Loud (research from October 2010)
Tuesday, December 11, 2012
John Summers - Future Primitive
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